Two weeks ago, I published the first production documentation article after almost a year. That type of article should help novices in the songwriting and production business to understand how to get specific results and should act as a source of inspiration for your future productions. For all others reading the article, it can be a small diary entry to be sure that we are continually working on our upcoming projects and get some behind-the-scenes insights of those as well as final release announcements. This time, I will briefly talk about the keys and sound effects (SFX) recording for “Come Back”.Continue reading →
In the last two decades, it became more and more common to continue the project work after the recording completely or at least partially on the computer. Consequently, there is no avoiding the fact that we will need certain audio plugins to edit the recorded material to create a final mix. I personally try to find the best combination of the modern digital and the nowadays already called “vintage” analogue world. Both domains have their benefits and disadvantages, therefore I created my own hybrid environment. Even the best plugins fail by the last 10 to 5% to reach the full sound of their analogue model, if a perfect replica is the developer’s intention. The studio outboard has not only a high cost price but also is high-maintenance which in turn results in additional ongoing expenses. On the contrary, the digital plugins can be taken everywhere with e.g. a laptop and their settings can be easily saved by only one mouse click. Both aspects could become difficult with the studio outboard – just to show up some pros and cons.