While plugins are incredibly useful, there is a reason why top audio engineers still have analogue gear in their racks. In today’s hybrid studios, one of the most significant benefits, while you are mostly mixing “in the box”, is to use quality hardware on your master bus. Hence we have a look at my SA4000, an SSL G-Bus style stereo bus compressor manufactured by Stam Audio in Chile. I received the SA4000 in 2017 when this unit was my very first Stam Audio gear. Since then, some other Stam Audio products like the SA-76ADG became part of my studio gear collection.Continue reading →
Bit by bit, I try to collect analogue outboard gear for my project studio that might evolve into a bigger studio over time. I love to work in-the-box with plugins and appreciate the flexibility and comfort that come with it. Nevertheless, I love analogue gear and its unbeatable character and the often slightly different behaviour, especially with extreme settings. I like to combine both worlds, the digital and the analogue one, and set up a hybrid studio environment. This time, we have a look at my brand-new SA-76ADG, an 1176 compressor manufactured by Stam Audio in Chile, that combines the revisions A, D and G in one single unit. A great concept and a real game changer!Continue reading →
Monitoring is a central, day-to-day topic if you are working as an audio engineer or musician. As a professional, you usually want permanent quality, be familiar with the sound characteristic and know what you can generally expect from your gear. Using different monitoring equipment almost every time lets you unaware of how things need to sound to result in a satisfying or even outstanding final product. Especially in the live music environment but also in the studio environment as a reference monitor, custom-made in-ear monitors are a must-have tool for every music professional!